With a role like Hedda Gabler, which is incredibly complicated, you often feel that you haven't even scratched the surface the first time around, so you relish the opportunity to do it again, particularly with an ensemble of actors and the company we assembled. But when you do that in films you somehow have to make some attempt to uncross people's arms and you have to justify why you're doing it.

I could do a thousand films that are easy for me to do-that's if I don't fall in the next year, because everyone's about to fall. What's so funny is you look at all us young guys and we're already thinking, Well, I'm going to branch out into directing, and it's all going to be this and that.

My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].

I'm scared of actors with a scheme.

If I'm not good at acting, I'm not good at anything else.

Some days I'm very lazy, and some days I'm more inspired. I've got things I've had since I was fifteen - I don't throw anything away. I prefer to give it to a friend so I can wear it again...The way I dress doesn't necessarily have to do with fashion, or what is current, or what is in right now, it's more about rediscovering things.

I think often women can feel isolated and feel like they get into a rut and don't quite know how to get out of it.