With a role like Hedda Gabler, which is incredibly complicated, you often feel that you haven't even scratched the surface the first time around, so you relish the opportunity to do it again, particularly with an ensemble of actors and the company we assembled. But when you do that in films you somehow have to make some attempt to uncross people's arms and you have to justify why you're doing it.

I do tend to move on anyway. This is a part of my life, but it doesn't rule my life.

The thing I love about live performance the most, is that the doors are closed, the lights are turned down, and the audience has to be reverential to what's happening onstage.

I think most beauty tips that work and last are kind of old.

Art civilizes us and it connects us and activates us. And so it's really important to connect with compassion, with stories about people who are different from us.

I don't think about being beautiful or not being beautiful. ... It's more about feeling confident inside your own skin really and thinking about yourself as little as possible.

If I'm not good at acting, I'm not good at anything else.