I'm always without sleep. I've got two kids. I understand sleep deprivation on a profound level.

o matter how much research you do, or invention you do, whether it's a character from a novel, a completely invented character or someone who actually existed, it's a work of faction. By the very fact you only have an hour and a half or two hours to tell a story, you're telescoping events and it is, in the end, a work of imagination.

I'm of the opinion that it's okay to be silent, to not speak if you don't have anything to say.

My dreams tend to be like dog dreams. I'm usually so tired that I hardly dream at all. In a way, I do think that the zone one performs in - without getting too ooga-booga about it - it's like that moment when you wake up in the morning and you're emerging from a dream state but you're not quite up. Where are you? Can you hear the birds? Or is that the traffic? It's that zone in which I perform. It’s like one foot in reality and one foot in a dream state. I spend most of my life in that state!

I think most beauty tips that work and last are kind of old.

With a role like Hedda Gabler, which is incredibly complicated, you often feel that you haven't even scratched the surface the first time around, so you relish the opportunity to do it again, particularly with an ensemble of actors and the company we assembled. But when you do that in films you somehow have to make some attempt to uncross people's arms and you have to justify why you're doing it.

I'm not interested in playing characters who see the world through my prism. I think the journey of understanding any character is to see how they tick and how they differ from you.