o matter how much research you do, or invention you do, whether it's a character from a novel, a completely invented character or someone who actually existed, it's a work of faction. By the very fact you only have an hour and a half or two hours to tell a story, you're telescoping events and it is, in the end, a work of imagination.

Planning cities is a necessary but risky business.

One of my favorite moments is onstage, when you see a dancer leap, and you think they're flying, and then they fall. It's that moment of suspension that you look for, and sometimes you get it and sometimes you don't.

The first thing is to accept that theater is an unknown. If you go to a concert, you know the music. If you go to an art show, you can literally see the art on your phone before you see it in person. But with theater, often times people aren't prepared to take risks, even though that's exactly what's great about it.

The interesting thing for me about the debate about same-sex marriage ... is that it's one of those issues where it has no impact on anyone apart from the people that it impacts upon. So I find it quite bewildering that it's - that it's so complicated for people.

I believe that a creative career is only as good as the risks that you take with it.

It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.