During the '80s, those you would call the young philosophers of France, such as Bernard-Henri Lรฉvy and [Andrรฉ ] Gluxman, pointed out that Camus had said things no one wanted to hear in the political arena. They said it was [Albert] Camus who was right, not those who had slid under the influence of Sartre, that is to say an unconditional devotion to Communism as seen in the Soviet Union. And ever since then the evaluation of Camus has continued to modify up until today
Catherine CamusLove is very important in The First Man, in that [Albert] Camus loves these things he never chose, he loves his childhood experience in a very real way. Their poverty meant that there was nothing else they could think about but what they would eat, how they would clothe themselves. There's just no room for other things in his family. It's difficult for others to imagine the position in which he found himself. There is no imaginary existence in their lives.
Catherine CamusI think for an artist what is most important is to touch as many hearts as possible.
Catherine CamusWhat the articles which have been written about The First Man propose is humility. The acceptance of these contradictions. Seeking an explanation is death. The lie is death in [Albert] Camus. That's why in Camus' play The Misunderstood the son dies, killed by his sister and his mother, because he lied. He never told them who he was. They killed him because they didn't recognise him.
Catherine Camus[French intellectuals] could never address themselves to the working classes. They don't know what it means, and that gives them a bad conscience about it. [Albert] Camus has a greater proximity to those in poverty.
Catherine Camus