So time passes, and a much more political rather than literary reasoning intervenes, and from the day that [Albert] Camus wrote The Rebel, in 1955, there comes the rupture, and all, nearly all of the left wing intellectuals become hostile to him. Since he was already unfavourably viewed by the right-wing, he found himself entirely alone.
Catherine Camus[Albert Camus] wasn't writing under the influence of the Nobel Prize. That was an external thing for the artist in him.
Catherine Camus[Albert] Camus always insisted that historical criteria and historical reasoning were not the only things to take into account, and that they weren't all powerful, that history could always be wrong about man. Today, this is how we are starting to think.
Catherine CamusThe First Man is completely autobiographical. The mother [Albert Camus] describes is the woman I knew, and she was exactly as he describes her. And this teacher really existed.
Catherine Camus[Albert Camus] was completely intransigent, and that's not at all a neutrality. It's combat, it's a man who involved himself, committed himself.
Catherine CamusWhat the articles which have been written about The First Man propose is humility. The acceptance of these contradictions. Seeking an explanation is death. The lie is death in [Albert] Camus. That's why in Camus' play The Misunderstood the son dies, killed by his sister and his mother, because he lied. He never told them who he was. They killed him because they didn't recognise him.
Catherine Camus