[Albert] Camus' was born in Algeria of French nationality, and was assimilated into the French colony, although the French colonists rejected him absolutely because of his poverty.

The First Man is [Albert Camus] posthumous last work. But in fact, in a certain way, it is his first, because in it you find the signs of his commitments, and of the whole way of writing as well. This mixture of austerity and sensuality, the will to speak for those not able to speak for themselves.

[Albert Camus]didn't have much hope that things would work out, but he wanted them to. Algeria had reached such a degree of violence that once such violence is created there's no more room for reflection. And there's no mediating position. If you look at Bosnia today, the Croats, Bosnians and Serbs, they've all created so much horror that one starts to wonder how these peoples can live together, after having done what they have. Already the violence has reached such a degree that everybody is living in hate, there's no possibility of reflection, no mediating position.

Just after the war, the liberation of 1945, [Albert] Camus was well known, well loved by [Jean-Paul ] Sartre and all the intellectuals of that generation.

There's no one who can say 'this person is wrong there and right here', and that 'one is right about that and wrong about this'. This is what could allow populations, or even two human beings, to live together. We will only solve problems by the acceptance of, and enrichment by, our differences.

[Albert Camus] was not an existentialist!

[Albert] Camus writes his acceptance speech for the Nobel Prize in thanks to his teacher.