There's no one who can say 'this person is wrong there and right here', and that 'one is right about that and wrong about this'. This is what could allow populations, or even two human beings, to live together. We will only solve problems by the acceptance of, and enrichment by, our differences.

You end up beating your head against a wall again, it doesn't work. Not if you make an abstraction of man. That's why [Albert] Camus is more a la mode now, because he always says 'yes, but there's man. That's the first thing, because myself, I'm a man.' And that's what solidarity .

[Albert Camus] wasn't writing under the influence of the Nobel Prize. That was an external thing for the artist in him.

The Outsider isn't [Albert] Camus, but in The Outsider there are parts of Camus. There's this impression of exile.

The First Man is completely autobiographical. The mother [Albert Camus] describes is the woman I knew, and she was exactly as he describes her. And this teacher really existed.

For example, it's often forgotten that [Albert ] Camus was extremely hostile [farouche] towards the [Francisco] Franco regime, and right to the end. He refused to travel to Spain, he left UNESCO because UNESCO accepted Franco's Spain and allowed it a discourse.

One thing that is evident is that [Albert] Camus could never be a 'neutral' man. This is because he was committed; look at his real physical involvement in the Resistance. He took part, there, in the combat against Nazism.