I couldn't ever act or think on behalf of what my father [[Albert Camus]] would have said or done. He's an artist, he considers himself an artist, and so he takes on the responsibility of speaking for those who are not given the means or the opportunity.

[Albert Camus] was viewed by many as an austere moralist, but it was on the football pitch and in the theatre that he learnt his 'morality'. It's something sensed, it won't pass uniquely through thought. It couldn't possibly.

[Albert Camus] really did know Algeria. He was an exile from his country, but still living in its language. Solitaire et solidaire. It's not like those who are exiled to a country where the language is not theirs.

Albert Camus was never abandoned by his readers. Camus is enormously read. He's the highest selling author in the entire Gallimard collection, and has been for some years now. Sales haven't ever stopped, so to talk about rediscovering him would suggest that he isn't read anymore and that's not true.

[Albert Camus] wasn't writing under the influence of the Nobel Prize. That was an external thing for the artist in him.

The Nobel Prize comes from outside, it's a social recognition [reconnaissance] in a way. And I think a true artist is driven by interior necessities.

[French intellectuals] could never address themselves to the working classes. They don't know what it means, and that gives them a bad conscience about it. [Albert] Camus has a greater proximity to those in poverty.