Opportunities are often things you haven't noticed the first time around.
I would have liked maybe to be in architecture or painting, something connected to the fine arts.
I think one of the few times I've been involved with real-life characters was the story of Marie Bonaparte. I think it's really difficult to become someone that really existed.
On Belle de Jour, the producer was very protective. It was very hard for me.
I'm lucky; people write scripts for me.
You're better off not preparing, because what you prepare will always be wrong.