My biggest fear is expending the best and most exciting energy in sketches, no matter how quickly executed. I often need to empty the rubbish bin several times before regaining the fresh quality of the initial exploratory sketches.

Art is a business, like any other.

I am holed up in a small village where I am doing my own work and it feels great. I have a small gallery and not many people find me, but I am happy being left alone and doing what I love.

The muse on my shoulder is very sensitive and does not abide claptrap of any kind... Only when I am totally immersed... absorbed in work... does she allow something magical to happen and I become aware of a faint heartbeat and gentle breath emanating from my brush.

If one is constantly challenged, one grows. If one becomes complacent, one stultifies.

My biggest fear is expending the best and most exciting energy in sketches, no matter how quickly executed. I often need to empty the rubbish bin several times before regaining the fresh quality of the initial exploratory sketches.

I refer to my non-productive periods as fallow times. I think they are essential.