I realised that if you get yourself labeled as the funny one, people don't look any further. I've used that as I've got older. It's controlling: I decide what part of my personality you're seeing. I don't want you to look at me, I really don't. I don't want you to comment on my clothes, my hair or the way I look.

I will absolutely say that whatever job I was asked to do, whatever schedule I was asked to work, it is never going to be as hard as looking after a child.

When I realised I had a facility for humour, I latched on to it, and it gave me confidence and I built my personality around it. So I subconsciously made myself become the funny one so that would be my label rather than the ginger one or the red-faced one.

If you want more people to come to the theatre, don't put the prices at £50. You have to make theatre inclusive, and at the moment the prices are exclusive. Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.

At my core, the glass isn't half-empty, it's not even what I ordered in the first place.

I'm an incredibly negative person, so any form of success is only ever going to be a relief to me and set my default position back to neutral.

By a lot of peoples standards, I lived a very privileged life. I never wanted for attention, I never wanted for material things. In some ways, I was probably spoiled because I never had to share. And I was doted on.