It's saying no. That's your first hint that something's alive. It says no. That's how you know a baby is starting to turn into a person. They run around saying no all day, throwing their aliveness at everything to see what it'll stick to. You can't say no if you don't have desires and opinions and wants of your own. You wouldn't even want to. No is the heart of thinking.

I have tried to write stories that go into the underworld of myth and bring out life and fire — where the old world looked at a woman alone and immortal and said: she must long to die, I have tried to say: look at her live!

Her heart was bruised by the kiss, smashed and surprised and unsettled by it. September thought kisses were all nice, sweet things asked for gently and given gladly. It had happened so fast and sharp it had taken her breath. Perhaps she had done it wrong, somehow. She put the kiss away firmly to think about later. Instead, she smiled at him and pulled a carefree mask over her face.

I will not let her speak because I love her, and when you love someone, you do not make them tell war stories. A war story is a black space. On the one side is before and on the other side is after, and what is inside belongs only to the dead.

Oh, September! It is so soon for you to lose your friends to good work and strange loves and high ambitions. The sadness of that is too grown-up for you. Like whiskey and voting, it is a dangerous and heady business, as heavy as years. If I could keep your little tribe together forever, I would. I do so want to be generous. But some stories sprout bright vines that tendril off beyond our sight, carrying the folk we love best with them, and if I knew how to accept that with grace, I would share the secret.

Snow is the beginning and the end of everything.

When little ones say they want to go home, they almost never mean it. They mean they are tired of this particular game and would like to start another.