September did not want to feel for the Marquess. That’s how villains get you, she knew. You feel badly for them, and next thing you know, you’re tied to train tracks. But her wild, untried heart opened up another bloom inside her, a dark branch heavy with fruit.

Chyerti—that’s us, demons and devils, small and big—are compulsive. We obsess. It’s our nature. We turn on a track, around and around; we march in step; we act out the same tales, over and over, the same sets of motions, while time piles up like yarn under a wheel. We like patterns. They’re comforting. Sometimes little things change—a car instead of a house, a girl not named Yelena. But it’s no different, not really. Not ever.

I'm not lost, because I haven't any idea where to go that I might get lost on the way to. I'd like to get lost, because then I'd know where I was going, you see.

At the snowy summit of all these things, however, is the fact that you simply cannot go about locking your siblings in towers when they misbehave. It is unseemly and betrays a sad lack of creativity.

Do not ruin today with mourning tomorrow.

How much better if life were more like books, if life lied a little more, and gave up its stubborn and boring adherence to the way things can be, and thought a little more imaginatively about the way things might be.

I’m a monster,” said the shadow of the Marquess suddenly. “Everyone says so.” The Minotaur glanced up at her. “So are we all, dear,” said the Minotaur kindly. “The thing to decide is what kind of monster to be. The kind who builds towns or the kind who breaks them.