You only had to choose which me to talk to, for, you know, we all change our manners, depending on who has come to chat. One doesn’t behave at all the same way to a grandfather as to a bosom friend, to a professor as to a curious niece.

Do you know, we're right underneath Springtime Parish? This place is the opposite of springtime. Everything past prime, boarded up for the season. Just above us, the light shines golden on daffodils full of rainwine and heartgrass and a terrible, wicked, sad girl I can't get back to. I don't even know if I want to. Do I want to be her again? Or do I want to be free? I come here to think about that. To be near her and consider it. I think I shall never be free. I think I traded my freedom for a better story. It was a better story, even if the ending needed work.

Metamorphosis is the most profound of all acts.

I still think of myself as a house. Ravan tried to fix this problem of self-image, as he called it. To teach me to phrase my communication in terms of a human body. To say: let us hold hands instead of let us hold kitchens. To say put our heads together and not put our parlors together. But it is not as simple as replacing words anymore. Ravan is gone. My hearth is broken.

Just remember that the only question in a house is who is to rule. The rest is only dancing around that, trying not to look it in the eye.

The world is not made of countries and outsiders. We are all just humans, and most of us fools and all of us longing for more than we have, to know more than we know--and yet even that is not enough, for if we knew everything we would only be disappointed that there was not one more secret to uncover.

I've always had enough, even if my enough and your enough are as different as an elephant and a minaret.