In short, [Coltrane's] tone is beautiful because it is functional. In other words, it is always involved in saying something. You can't separate the means that a man uses to say something from what he ultimately says. Technique is not separated from its content in a great artist.

Sometimes when it goes really well, you wonder, "who's that at the piano?"

The quality of life, values that go down to doin' that, that's the issue.

Rhythm is the life of space of time danced through.

To me, the piano in itself is an orchestra.

You must surrender whatever preconceptions you have about music if you're really interested in it.

I try to imitate on the piano the leaps in space a dancer makes.