If you got the truth, you put it out there, and everybody says, "Oh, my God. That's me." And then they improvise also. They take off, as well.
Cecil WilliamsThe music certainly plays a major role. You can be free enough to comfort each other, to touch each other, to embrace each other, to engage each other, to not be afraid of each other. The music certainly has that very strong element. Go back to folk songs, gospel, jazz, and spirituals. See, all of that came out of tremendous pain and hurt, rejection, loss, alienation, and abandonment. What I'm doing is I'm expressing my pain and hope at the same time.
Cecil WilliamsWhen people get up on the stage and say, "I've got AIDS," or "I'm in recovery," gosh, it's hard for them. It's like that story touches every person's story. You know, they open their entire humanity up. Storytelling is very important in life. Telling the truth is critical. It's like, again, the melody. The melody of jazz music is the truth, for me.
Cecil WilliamsI don't go and study other folks. I come from where I came from, as a kid, in the little black church I grew up in. And some of the things they did I rejected, because I could see that it was a manipulation and an exaggeration. My struggle is never to fool folks; to keep it authentic - who we are and who we are becoming - rather than to mimic or to translate what others do into my own terms.
Cecil WilliamsThat's critical to me, the community. When I was 12 years old, I had a mental breakdown; I went berserk for a long time. I felt rejection from the white community. Couldn't understand why the pigmentation of my skin kept me from doing. Everybody always told me "You're going to be something." And of course, I began to raise questions about why it is that white folks treat us the way they do. The breakdown was very vivid. I just all of a sudden felt like I had been overcome by a train.
Cecil Williams