I need to be in touch with the people. You've got to look in their eyes, and you've got to feel what they feel. You've got to engage people. All that we do and believe in is engaging people to touch, to heal, to look at each other's eyes, to feel with each other, to cry with each other, to moan, to groan, to rejoice, to be happy.

When the musician starts improvising, he never can go back to what he did last Sunday. That's what's frightening to a lot of people who can't let themselves go. But it's also very invigorating and very releasing because it opens you up to be yourself.

Death is a reality, but life is a reality also. You got to live at this time in your life like you've never lived before. And therefore you've got to find those values in your life that fulfill what you need to do. Now, what is it you need to do?

I don't go and study other folks. I come from where I came from, as a kid, in the little black church I grew up in. And some of the things they did I rejected, because I could see that it was a manipulation and an exaggeration. My struggle is never to fool folks; to keep it authentic - who we are and who we are becoming - rather than to mimic or to translate what others do into my own terms.

I need to be in touch with the people. You've got to look in their eyes, and you've got to feel what they feel. You've got to engage people. All that we do and believe in is engaging people to touch, to heal, to look at each other's eyes, to feel with each other, to cry with each other, to moan, to groan, to rejoice, to be happy.

I have excessive energy, tremendous energy. I have a sense of people. I can feel them, pretty much so, in a short time. I'm not afraid of death. I'm just not afraid of anything.

I'm a folk preacher. A folk therapist. A folk musician. I come from authentically that which is of my experience. Therefore, the music is strictly from the soul, strictly improvisational.