I think the music of Mozart is like a universe of human feelings, sentiments and fragility, and ... that's why it's so 'actual' in a way, so modern.

The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.

When I had my first voice lesson I was 15 years old. And I had a really good teacher. This is what made all the difference. A good teacher will teach you the technique, but also how to listen to your voice.

So I like to make music, and I like to share music. This is also a gift.

You must feel what you're singing, not just have a good presentation of the language.

I think, first of all, you need to love what you're doing, and then this helps in the comedian for its part in everything - but the moment you enjoy what you're doing, you try to express yourself, to find your way, and every time is different, of course.

I would still love to do more Handel. I think Handel was a fantastic composer. I did lots of Vivaldi, but it's also important to do the music of Handel, one of the greatest composers of the 18th century.