It seems to me the worst of all the plagues is the slug, the snail without a shell. He is beyond description repulsive, a mass of sooty, shapeless slime, and he devours everything.

Like the musician, the painter, the poet, and the rest, the true lover of flowers is born, not made. And he is born to happiness in this vale of tears, to a certain amount of the purest joy that earth can giver her children, joy that is tranquil, innocent, uplifting, unfailing.

As the days go on toward July, the earth becomes dry and all the flowers begin to thirst for moisture. Then from the hillside, some warm, still evening, the sweet rain-song of the robin echoes clear, and next day we wake up to a dim morning; soft flecks of cloud bar the sun's way, fleecy vapors steal across the sky, the southwest wind blows lightly, rippling the water into little waves that murmur melodiously as they kiss the shore.

This very act of planting a seed in the earth has in it to me something beautiful. I always do it with a joy that is largely mixed with awe.

As I hold the flower in my hand and think of trying to describe it, I realize how poor a creature I am, how impotent are words in the presence of such perfection.

If death were the exception and not the rule, and we were not so swiftly to follow, these separations would be intolerably sad. We know no more of our next change of life than we knew of this before we were born into it; but that which we call death is merely change, who can doubt?

O happy, happy morning! O dear, familiar place! / O warm, sweet tears of Heaven, fast falling on my face! / O well-remembered, rainy wind, blow all my care away, / That I may be a child again this blissful morn of May.