I mean, putting women in the center of a movie and not talking about men, that's already political, right? And you know, political doesn't mean that it sends this message or that is has a statement. It's also political in its aesthetic project.
Celine SciammaI think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.
Celine SciammaI want to try different genres. I think I'll still be looking at a strong female character in the center, and identity struggle and transformation.
Celine SciammaI intentionally leave adults out in my stories, not to say that they're not in charge or that they don't care, or that they're failing at what they do. Not at all. It's two things: It's a way to be true to what adolescence feels like, because, okay, your parents may be around, but you still don't want them to be around. What you go through, you go through alone, I think.
Celine Sciamma