Character imperfection is the important thing to keep them from being superheroes.

Character imperfection is the important thing to keep them from being superheroes.

When I first met Laurence I was Keanu's [Reeves] stunt double on the first Matrix. So, a little evolution there with career status. But then cut to the thirteen/fourteen years later where now I'm asking Laurence Fishburne to trust my directorial capacity [in John Wick 2].

Keanu and I were in New York, I was prepping John Wick 2. And when Keanu [Reeves], [writer] Derek Kolstad, and myself sat down and wrote the character, it was completely, one hundred percent based on Laurence Fishburne. Like, in my head I saw this guy.

With John Wick we wanted to do something like that. So rather than punching, kicks - and for the kind of way we wanted to shoot it, which is longer takes - our initial instinct was let's go with a throwing or grappling arm.

I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and backflips, or doing the splits. You try to keep it so it fits the character, or the tone of the film.

I'm an audience member too, man. I hate shitty sequels.