There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.
Chaim PotokYou have to want to listen to it, and then you can hear it. It has a strange, beautiful texture. It doesn't always talk. Sometimes-sometimes it cries, and you can hear the pain of the world in it. It hurts to listen to it then. But you have to.
Chaim Potok