Every underground artist has that little chip on his shoulder, like "I'm stuck here, and I'm trying to get out of this little hole that I'm in." You've got this core fan base, but it's limited.

A lot of people have that story that they used to sell crack or shoot people; that's nothing new. But honestly, if that was me, I probably still wouldn't be doing that because it's so many people that's doing that. It just gets old when you hear a million raps about how many ways I could shoot you. So I just try to be more creative and come with something new because I actually care about the music.

The streets and the industry are two different things. You could be one super-hot artist in the streets, and you could walk into a corporate building, and people would be like, "Who are you?"

I think a lot of people feel like they still have something to prove, because when you get in and you're chasing success, you always feel like you have something to prove. But at this point, I feel like an underdog, and I actually like being in that position.

You have to have a balance, and I think that people get upset about Hip-Hop and say that it's dead because there is no balance. It's just all this simple-minded music, and it doesn't seem to be any content, and the dance club music outnumbers the little content there is.

I'll step in an airport just now, and people will recognize me. I'm in Harlem on 144th and whatever, and people are coming up to me like, "What's up, Chamillionaire?" And seeing it grow is, nothing turning into something, that feeling is a really good feeling.

People get tired of the same old sound. They want something new.