I'm in a wonderful position now because the rise of the whole Houston scene, the scene that we've been doing for years that people really didn't embrace a long time ago and now they're embracing it. It's good to be in the middle of that during the uprising.

I couldn't make every song about Texas because it wouldn't be new; it wouldn't be a breath of fresh air.

When I'm riding in a car, I don't really listen to music. I turn the radio off and just be thinking, brainstorming. I'm one of these people that just like to brainstorm.

I go out in the streets, and I go to shows, and I see my fans turn from "I like your last rap" to "I feel your movement; you're keeping it all the way real." One thing I've always said is that's never been my story, and I'm not going to go back on my word.

You have to have a balance, and I think that people get upset about Hip-Hop and say that it's dead because there is no balance. It's just all this simple-minded music, and it doesn't seem to be any content, and the dance club music outnumbers the little content there is.

All the carbon copies, the stuff that the industry puts together, it's not selling if you pay attention and look at the charts. The stuff that they put together, these hits that just go out, it doesn't sell. It doesn't have a core fan base of fans that dedicatedly watch their life. It's just a song, another song, another hit song, a one-hit wonder. It doesn't sell. It doesn't last.

I kind of grew up and started maturing.