It's important to go against the grain. My favorite celebrity, across arts and sports and everything, is Muhammad Ali. And he was famous for speaking inflammatory things that were polarizing but also were important to building who he was as a man and his legacy. And in the end, he was right about most of the s... he was talkin' about.

The whole point of 'Acid Rap' was just to ask people a question: does the music business side of this dictate what type of project this is? If it's all original music and it's got this much emotion around it and it connects this way with this many people, is it a mixtape? What's an 'album' these days, anyways?

I'm light skinned, and I used to lean on that because that's something a lot of black people pride themselves on, and it's weird.

The idea of 'talking white,' a lot of people grew up around that, just the idea that if you speak with proper diction and come off as educated that it's not black and that it's actually anti-black and should be considered only something that white people would do.

One of the first times I ever performed in front of a big group of people was at my kindergarten graduation. I did, like, a Michael Jackson impersonation as, like, a five year old. I had the suit and blazer, the glove and the fedora, and I just performed a whole Michael Jackson song. I'm sure it was 'Smooth Criminal.

Music can kind of make you one-dimensional. People see what's on the surface and what you rap about, and they make their decision on who you are from there.

I think it's so dope that I'm here in Chicago and contributing to the music scene that's thriving. People are so happy Chicago's shining that everyone is willing to say 'I represent Chicago.' That wasn't always the case.