It wasn't until I left that I realised it's not weird to grow up in certain cities and, by the age of 27 or 28, for all of your friends to still be alive. I can think of a lot of kids that I knew in Chicago who were supposed to grow up but didn't.

People always tell me I'm the complete opposite of Chief Keef and act like I'm supposed to stop him from making his music. But I like Chief Keef, so it's always super awkward. I just make music I like.

The weird thing about rap is that you don't get compared in the same way that athletes do, even though it's probably the most competitive sport in music. In basketball, they look at a player and say: 'This guy was the best in his prime at this sport.' But in rap it's not until you're dead or retired that people think about it like that.

One of the first times I ever performed in front of a big group of people was at my kindergarten graduation. I did, like, a Michael Jackson impersonation as, like, a five year old. I had the suit and blazer, the glove and the fedora, and I just performed a whole Michael Jackson song. I'm sure it was 'Smooth Criminal.

A cool & diversified version of a mix tape. The BreakBeat Poets is a thorough and complete summation of Golden Era writers who continue to build the scene of literary and performance poetry.

For me, performing is the biggest part of being a rapper. There's nothing like the feeling of screaming your story to people.

I think our duty as American citizens is to be involved and engaged in anything that affects us. As an artist, I have to use my platform, and as a dad, a brother, and a black man, I have to be as socially woke and present as possible.