I'm fortunate enough to have learned not to waste time getting frustrated with my kids, or co-workers, or friends and family for not doing everything I wish they would. If someone doesn't respond to me the way I want them to, I understand that it doesn't have anything to do with me.

If I want to know how I'm doing at work, I don't wait for a pat on the back; I ask the people who will give me a clear, objective opinion. When I need a real, arms-wrapped-around-me hug, I go to someone who does that. I stopped getting disappointed by my expectations from non-huggers.

I wanted a good relationship with my mother, and I realized I had a choice: Either I could spend all my time angry that she didn't give me the hugs I thought I needed, or I could understand that she hugs differently. It's not a spread-open-the-arms, 'come here' hug. She hugs by sheltering me from her worries.

I keep getting amazing things to bring to life. There's always something to discover with 'Dr. Bailey,' something that brings her home to the audience, something that makes people say, 'I know that woman. I work with that woman.' It's incredibly flattering and I'm still finding new things with her all the time.

I'm excited to flex my Broadway muscles - it keeps you alive as an actor.

Starting at age four, my mom decided that she was not going to have an idle child in the house. So I started taking dance lessons on Tuesdays and Thursdays, and then I was in acting classes on Mondays, Wednesdays and Fridays, and I was also modeling on Saturdays. And that was my childhood.

My first show was 'The King and I' when I was five.