I believe in love. I believe in good stories. I play really hard on the weekends because I like to have those stories. My wife and I go off and do craziness all the time. We're just like, 'What can we go get into this weekend?' Then we have other ones where we just sit and do nothing and then we have work that we do. It's all memories.

I was terrified to do 'G.I. Joe.' I had no idea how to do one of those movies. I was kind of scared. You know, if one of those doesn't work, it's a huge hit on your career. People are like, 'Well he couldn't make a $170 million movie work. I don't want him in my film.'

There's a dance that happens with you and that's why I really like doing it with stunt men, because they know how to dance generally better than actors do. It is choreography and if you aren't used to doing it things can go wrong.

The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.

I'm thankful for weird people out there 'cause they're some of the most creative people.

I've always had way too much energy so I'm always looking for new things to do to channel that energy.

I think, even a lot of people that make movies forget is that, in my mind, a movie should work with the sound off. You should be able to watch a movie without the sound and understand what's going on. That's your job, to build a series of chronological images that tell the story.