Everyone's a nerd inside. I don't care how cool you are.

I was terrified to do 'G.I. Joe.' I had no idea how to do one of those movies. I was kind of scared. You know, if one of those doesn't work, it's a huge hit on your career. People are like, 'Well he couldn't make a $170 million movie work. I don't want him in my film.'

I think the best thing to try to do is allow your daughter or your son to know that they can come to you for anything. If you can break down that wall so they don't feel embarrassed by telling you things, that's half the battle.

Girls were always my biggest distraction in school.

The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.

There are so many great stories and characters out there that you can just keep saying, "Yes," but you've got to eventually make the decision that if it's something you really want then do it for yourself.

I was not good in school. I could never read very fast or very well. I got tested for learning disabilities, for dyslexia. Then I got put on Ritalin and Dexedrine. I took those starting in the eighth grade. As soon as they pumped that drug into me, it would focus me right in.