The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

I'm frustrated when I see movies in which I feel like the plot is being told to me instead of shown to me.

You don't try any less hard on the ones that don't. I've gotten lucky to work with some amazingly talented people that have helped the ones that have worked work. I think you just have to keep doing the stories you love and the characters that you love and are drawn to.

But I stuttered as a kid. I went to classes to help it, and it just went away around fourth grade, when I became more aware of how others spoke, I think. But also, growing up in the South, a mumble is a way of speaking.

I like to be lean. If I get too bulky I can't move well and I like to move. When I'm not training, I get really round and soft.

The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.