I was undervalued so I stopped stripping. I was 18 years old and I worked three jobs. This was just one of them, and I really enjoyed performing. It was probably my first performing job ever. I really like to dance, obviously, but then I didn't really love taking the clothes off at the end.

I was terrified to do 'G.I. Joe.' I had no idea how to do one of those movies. I was kind of scared. You know, if one of those doesn't work, it's a huge hit on your career. People are like, 'Well he couldn't make a $170 million movie work. I don't want him in my film.'

I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.

Everyone always talks about the speed of New York, and I still walk slow around New York, and everyone is walking faster than me all the time, and I notice it every time we go out.

I don't know if I'm very complicated at all. I wish I was. I wish I was one of these deep, intricate people. But I just love having fun really.

But I stuttered as a kid. I went to classes to help it, and it just went away around fourth grade, when I became more aware of how others spoke, I think. But also, growing up in the South, a mumble is a way of speaking.

I had a bad stutter when I was really young. I couldn't get a sentence out. Like, 'D-d-d-d-d-d-d-d-ad.' And that turned into a mumble.