It is from the womb of art that criticism was born.

As the end of the century approaches, all our culture is like flies at the beginning of winter. Having lost their agility, dreamy and demented, they turn slowly about the window in the first icy mists of morning, . . . [then] they fall down the curtains.

My concern today is with the painting of manners of the present. The past is interesting not only by reason of the beauty which could be distilled from it by those artists for whom it was the present, but also precisely because it is the past, for its historical value. It is the same with the present. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present

No task is a long one but the task on which one dare not start. It becomes a nightmare.

To dream magnificently is not a gift given to all men, and even for those who possess it, it runs a strong risk of being progressively diminished by the ever-growing dissipation of modern life and by the restlessness engendered by material progress. The ability to dream is a divine and mysterious ability; because it is through dreams that man communicates with the shadowy world which surrounds him. But this power needs solitude to develop freely; the more one concentrates, the more one is likely to dream fully, deeply.

The world only goes round by misunderstanding.

In certain almost supernatural states of the soul, the profundity of life reveals itself entirely in the spectacle, however ordinary it may be, before one's eyes. It becomes its symbol.