Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.

My love, do you recall the object which we saw, That fair, sweet, summer morn! At a turn in the path a foul carcass On a gravel strewn bed, Its legs raised in the air, like a lustful woman, Burning and dripping with poisons, Displayed in a shameless, nonchalant way Its belly, swollen with gases.

What can an eternity of damnation matter to someone who has felt, if only for a second, the infinity of delight?

The old Paris is no more (the form of a city changes faster, alas! than a mortal's heart).

Every idea is endowed of itself with immortal life, like a human being. All created form, even that which is created by man, is immortal. For form is independent of matter: molecules do not constitute form.

I will drop into your chest like a vegetal ambrosia. I will be the grain that regenerates the cruelly plowed furrow. Poetry will be born of our intimate union. A god we shall create together, and we shall soar heavenward like sunbeams, perfumes, butterflies, birds, and all winged things.

These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking.... Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of his mind.