I feel quite at home writing short stories but nervous and anxious when writing novels, as if the bad time of consecutive failures might arise again.

In February, the overcast sky isn’t gloomy so much as neutral and vague. It’s a significant factor in the common experience of depression among the locals. The snow crunches under your boots and clings to your trousers, to the cuffs, and once you’re inside, the snow clings to you psyche, and eventually you have to go to the doctor. The past soaks into you in this weather because the present is missing almost entirely.

When you’re in love you don’t have to do a damn thing. You can just be. You can just stay quiet in the world. You don’t have to move an inch.

I prefer short stories, but publishers would, of course, rather that writers produce novels, since novels are still more commercially viable.

My God, the corruptions of literature. It put all these notions into our heads.

Every relationship has at least one really good day. What I mean is, no matter how sour things go, there's always that day. That day is always in your possession. That's the day you remember. You get old and you think: well, at least I had that day. It happened once. You think all the variables might just line up again. But they don't. Not always. I once talked to a woman who said, "Yeah, that's the day we had an angel around.

Try to get your characters into interesting trouble. Allow your characters to misbehave. Let them stay out after 11.