There are advances in technology and enabling voices, but there are issues with the stories themselves. I think people of color are still not seen as human beings. They're still associated with types, with comedy, but we're in a crisis right now, with things like Black Lives Matter. We need films that address these issues.

I always wanted to do a story on the blues that not only reflected its nature and its content, but also alludes to the form itself…In short, a story that gives you the impression of the blues.

Coming from the South and growing up in L.A. where it was so segregated - worse than the South in many ways - all the people in my neighborhood were from the South. So you had that Southern cultured environment. The church was very important. And there were these folk ways that were there. I was always fascinated by these Southern stories, people would share these mystified experiences of the South. I wanted to talk about folklore.

We need to be critical of the police and power structure, we need to stand back and solve these problems, and films need to point to that. There are too many stories that end happily and say very little about life.

Heraldry is the fusion of fact and fancy, myth and manner, romance and reality. It is an exuberant union of family, art, and history.

There are advances in technology and enabling voices, but there are issues with the stories themselves. I think people of color are still not seen as human beings. They're still associated with types, with comedy, but we're in a crisis right now, with things like Black Lives Matter. We need films that address these issues.

With non-professionals, there's a lot of time you have to allocate to getting what you want with them, but also you cast based on who they are, to bring out their real personalities. So it's less about working on character and more about just getting them comfortable in front of the camera to be themselves, and understanding the process.