At fifteen, it [ "Follies"] didn't have any kind of resonance with me, this show about regret and middle age.

I grew up with "Follies." I saw it when I was fifteen. It was the original production, and of course, that production will never be equaled.

I always tend to say "no" to everything, but now I've decided to say "yes" to everything. Now, I'm doing all sorts of things that I would've said "no" to before.

Joan Rivers is a very wise lady. We're good friends, and I find her very much an inspiration as to how to conduct your life, and how to remain very youthful, with ambitions and dreams. Anyway, she always says that she says "yes" to everything, because you never know which thing will click, or be thrilling.

I'm writing the book to a children's musical. I got a note from the producers saying, "Can't you make it campier?" So now, I'm trying to determine the camp sensibility of the average eight year old.

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes. . . . I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page.

I wish somebody would just give me a couple of million dollars a year, so that I could do a play based on every little fantasy I have.