Your senses are reeling all the time. Finally you find something to write and the very next day you go out and see something else which totally contradicts what you've written and every conclusion you've come to.

Most films are written and made with a hero around 35, or even 25.

A car to pick me up every day, a chair with my name on it, everybody being very polite... what can you do except sit back and watch it all, try to take it all in?

I'm actually as common as mud. I'm not particularly well read, or bred. But the way I look... I seem to have this sort of 'aristocratic' demeanor.

I have to admit that I haven't read any of the books [of George Martin's "Game of Thrones"] and I don't refer to them. Apart from anything else they're very thick [in size] and they frighten me. A terrifying prospect.

I spent a lot of time [between takes] apologising to Peter Dinklage [Dance's on-screen son, Tyrion Lannister] because I treat him appallingly.

Because [writers] Dan Weiss and David Benioff have done such a great job in adapting them, that's what we work with. It serves no purpose to anybody for actors to come onto a set with a well-thumbed copy of the source material and start querying why this or that line has been left out of the script. It's probably been left out for a good reason.