I've always known and been interested in people who are a little bit off the norm. I like to call attention to the idea that they are there, that they are real people, not invisible.

How hard would it be to ask children what they see in their heads? How big should the house be in comparison to the family standing in front of it? What is it about the anatomy of the people that doesn't look right? Then let them try it again. Teach them to learn how to see and ask questions.

I don't think the world is the way we like to think it is. I don't think it's one solid world, but many, thousands upon thousands of them--as many as there are people--because each person perceives the world in his or her own way; each lives in his or her own world. Sometimes they connect, for a moment, or more rarely, for a lifetime, but mostly we are alone, each living in our own world, suffering our small deaths.

All forests have their own personality. I don't just mean the obvious differences, like how an English woodland is different from a Central American rain forest, or comparing tracts of West Coast redwoods to the saguaro forests of the American Southwest... they each have their own gossip, their own sound, their own rustling whispers and smells. A voice speaks up when you enter their acres that can't be mistaken for one you'd hear anyplace else, a voice true to those particular tress, individual rather than of their species.

The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.

That's the thing with magic. You've got to know it's still here, all around us, or it just stays invisible for you.

Witchery is merely a word for what we are all capable of.