"O, Mrs. Clennam, Mrs. Clennam," said Little Dorrit, "angry feelings and unforgiving deeds are no comfort and no guide to you and me."

You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.

Some philosophers tell us that selfishness is at the root of our best loves and affections. Mr. Dombey's young child was, from the beginning, so distinctly important to him as a part of his own greatness, or (which is the same thing) of the greatness of Dombey and Son, that there is no doubt his parental affection might have been easily traced, like many a goodly superstructure of fair fame, to a very low foundation.

For it is good to be children sometimes, and never better than at Christmas, when its mighty Founder was a child Himself.

Your sex have such a surprising animosity against one another, when you do differ.

There's a young man hid with me, in comparison with which young man I am a Angel. That young man hears the words I speak. That young man has a secret way pecooliar to himself, of getting at a boy, and at his heart, and at his liver.

Mr. Bazzard's father, being a Norfolk farmer, would have furiously laid about him with a flail, a pitch-fork, and every agricultural implement available for assaulting purposes, on the slightest hint of his son's having written a play.