'I believe, Mr. Snitchey,' said Alfred, 'there are quiet victories and struggles, great sacrifices of self, and noble acts of heroism, in it - even in many of its apparent lightnesses and contradictions - not the less difficult to achieve, because they have no earthly chronicle or audience - done every day in nooks and corners, and in little households, and in men's and women's hearts - any one of which might reconcile the sternest man to such a world, and fill him with belief and hope in it.

One always begins to forgive a place as soon as it's left behind.

A dream, all a dream, that ends in nothing, and leaves the sleeper where he lay down, but I wish you to know that you inspired it.

You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.

There was a little plate of hothouse nectarines on the table, and there was another of grapes, and another of sponge-cakes, and there was a bottle of light wine ... 'This is my frugal breakfast ... Give me my peach, my cup of coffee, and my claret.'

The expression of a man's face is commonly a help to his thoughts, or glossary on his speech; but the countenance of Newman Noggs, in his ordinary moods, was a problem which no stretch of ingenuity could solve.

And I am bored to death with it. Bored to death with this place, bored to death with my life, bored to death with myself.