You think that it must be great to be Superman but it's also hard to be Superman, especially when growing up.

In films of terror, it's often not about being graphic. Or if there is a graphic image, it's extremely swift. Everyone talks about the shower scene in 'Psycho,' but that's the only graphic scene in the entire film.

I was also an Action Comic fan when I was a young kid and those comic books affected me and Superman is - he's the one. He's the first one. He's the one. He's the one everybody is always compared to.

At least you used to know 'there's the villain, there's the good guy', but today there are more shades of grey.

The story of Kal-El is actually a great story about adoption. He is an alien who has embraced his human side. As much as he loves and honours his heritage, and he needed to know where he came from and discover who he was, he has to decide who he is going to be.

It's rare that I'm working on a movie and that's the case. My goal is the same, ultimately at a certain point you give it to the director and their vision. You're there to support that vision.

I think that I'm a pretty great producer, but the vision behind Batman is Chris Nolan. I'm there to do my best to help execute that vision, and I think I do a really good job, but the vision is Chris Nolan.