I was also an Action Comic fan when I was a young kid and those comic books affected me and Superman is - he's the one. He's the first one. He's the one. He's the one everybody is always compared to.

It's rare that I'm working on a movie and that's the case. My goal is the same, ultimately at a certain point you give it to the director and their vision. You're there to support that vision.

I was also an Action Comic fan when I was a young kid and those comic books affected me and Superman is - he's the one. He's the first one. He's the one. He's the one everybody is always compared to.

People tend to think about God more when the clock starts to wind down.

At least you used to know 'there's the villain, there's the good guy', but today there are more shades of grey.

Chicago's such a great city because it's got so many different brilliantly architecturally looking buildings, and you can really modify that city.

I came from advertising. For me it's about protecting the director's vision. That's always the goal. There's keeping things on budget and on time and dealing with selling the movie so that to me is a focus. But also it's about serving the script. We are genre filmmakers, those are the films we love to make, so my perspective is a little different.