It's usually quite easy to shrug and write something else instead.

For someone who is starting out on developing their critical skills, just being aware of its existence is great: it can make the difference between trying to write a story around a cliche or an original idea, and better still, studying it can eventually clue you in on how to breathe new life into tired tropes.

More often than not, piracy is a symptom of an under-provisioned market.

If I was a Marxist I'd call it the crisis of capitalism. Even though I'm not a Marxist, that seems like a not unreasonable term for the widening gap between the rich and poor that we're seeing.

My agent is based in New York. And due to a historic accident, my publishing track is primarily American - I'm sold into the UK almost as a foreign import! So I'm quite out of touch with what's going on in UK publishing.

I've reached an age at which I'd rather pay more for something that "just works" than roll up my sleeves, reach for a spanner, and make it work. Time is money, and the older we get the less of it we've got left.

Personally, I avoid deus ex machina like the plague - if you have to use one, it means you failed to set up the universe and the plot properly. It's like a whodunnit where there's no actual way for the reader to identify the perpetrator before the climactic reveal: there's no sense of closure for the reader.