Every time we have been drunk on Jager it's been - either we didn't remember or it's been insane.

I love good momentum. It makes everybody happy and in this time that we're living in, especially musically speaking, if you can make a record that has more than 4 or 5 songs deep and it has a good variety of songs. You don't frontload it with those first couple of songs. You continue the record taking the listener on a journey, musically speaking. I think you've really got something there.

I mean if it wasn't for The Beatles, none of this, none of the music we listen to would even exist. They're my favourite band of all time.

Every time we have been drunk on Jager it's been - either we didn't remember or it's been insane.

We loved that form of music. We're all huge rap fans, so we just incorporated it.

I think you set up certain standards. I've always kind of believed in the Neil Pert way of making records where I'm trying to step it up every time I do something. You're trying to better yourself. You're also trying to make your audience or your listeners more interested. So, if you can up it, I think that's important.

I had demos that I'd send out of the songs and I'd get, "Great, can't wait to get in a room and actually play this and work on the album." So, it was good all-around because they knew even though I wasn't with them for some of the shows, I was being productive, which was really important because I didn't want to just sit on my ass. Once I was able to use my hand again, I would go right into it.