Of all the London theatres, the Donmar is the dream.

What the writers do, and we hopefully can bring to life, is that they present characters who, on the surface, aren't always heroic and their acts aren't always devoid of selfishness.

I left Britain in the mid-1990s when TV was going down the cundy - another good Dundee word - because I wanted a film career. But as I get older, I find myself being drawn back to my roots, and I'm loving it.

When you think about justifiable anger in one's personal life, we look at those scenarios in everyday life and through our story with a superhero, we heighten them.

I'm a London lad, but I'm fascinated by America. I want to take a motorcycling trip across the country and see those wide open spaces.

What I like about fairy tales is that they highlight the emotions within a story. The situations aren't real, with falling stars and pirates. But what you do relate to is the emotions that the characters feel.

In other films and TV shows, we might say, "Well, they're just evil." In our show [Daredeval], we're trying to say, "There's bad actions, but not necessarily bad people."