We had no idea that this show [Daredevil] would be as popular as it was, but with the benefit of hindsight, one thing I can say is that I think that was a really, really smart move.

I left Britain in the mid-1990s when TV was going down the cundy - another good Dundee word - because I wanted a film career. But as I get older, I find myself being drawn back to my roots, and I'm loving it.

Of all the London theatres, the Donmar is the dream.

It's so easy to become obsessed with the film industry and recognition that we can forget that we are not saving the world. We are just actors trying to entertain people.

What I like about fairy tales is that they highlight the emotions within a story. The situations aren't real, with falling stars and pirates. But what you do relate to is the emotions that the characters feel.

I was at a school in England, a prep school, from the ages of 8 and 13. And every play they did was a musical. Parents love musicals. And I don't sing. It was driving me crazy. 'We're doing 'Macbeth.'' 'Yes!' 'The musical!' And I was always in the chorus, because of course, in all the main parts, you had to be able to sing.

In other films and TV shows, we might say, "Well, they're just evil." In our show [Daredeval], we're trying to say, "There's bad actions, but not necessarily bad people."