Genres are like the surface of the ocean. There are waves and things moving, but you don't instantly see all the reefs and ecosystems that's happening beneath the surface.

I think that technology is much more mysterious to the people using it than, say, the automobile was. This isn't an original observation, but a lot of the smart devices people rely on now really do feel like magic to a lot of us.

If you're a writer, you don't serve genres. Genres serve you. Like, if you're writing a science fiction story set on a spaceship, you don't have to have someone thrown out an airlock.

There are no requirements when you're using a particular genre. It's not like the genre is your boss and you have to do what it says. You can make use of the genre any way you want to, as long as you can make it work.

Live every day as if you've come back in time from a dystopian future to try and prevent everything from breaking.

Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.

On the one hand, technology is more mysterious. On the other hand, we're more aware of its limitations. Every time I watch Star Trek, I'm highly aware of magical everything is: the holodeck, the warp drive. It's possible that with wormholes we might eventually be able to do something like that. But the laws of physics are pretty unforgiving.