I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I'm not sure that all directors do.

I'm moving - as a person and as a writer - through time. I'm a different age. I'm thinking about different things. I have different life experiences. I'm trying to get closer to being honest. And by closer I mean that at different ages I have different ideas of what the truth is, and at any point I'm trying to express that at that moment in time.

I like titles that are a little difficult, because it's kind of counterintuitive.

There are so many people who are making movies now who can’t get any kind of distribution, so the market seems like it’s flooded.

We're all one thing, like cells in a body. 'Cept we can't see the body. The way fish can't see the ocean. And so we envy each other. Hurt each other. Hate each other. How silly is that? A heart cell hating a lung cell.

I graduated from college in 1980.

And so not only do you have to make that work, you can't really start putting the thing together in any form because some of the shots are very short and obviously many of them take so long, you're waiting months and months and months before you can see if it's going to be working emotionally.