I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn't what I was going to do and I went to the B.F.A. film program at N.Y.U.

As I'm writing, I start to see connections, and themes I didn't see, and that sparks other things. So then I go back and rewrite things or alter them. It's a combination of intuition and a lot of finessing. It becomes a combination of the rational and the irrational.

Every day of your life, you have information that enters your head, and that information informs your understanding of things, or shifts it, or changes it, or deepens it, or confuses you. Every day, every moment of every day - it's like this thing that happens.

There's no way to approach anything in an objective way. We're completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.

I spend a lot of time in preproduction working with authors, and a lot of time in postproduction.: editing, music, all that sort of stuff. Casting. On the set there's not a lot for me to do.

She was nice. Nice is good.

I think generally I'm kind of interested in subjective experience, what goes on inside someone's head, that being all they really know of the world.