You've got to learn your instrument. Then, you practice, practice, practice. And then, when you finally get up there on the bandstand, forget all that and just wail.

Master your instrument. Master the music. And then forget all that bullshit and just play.

I don't care who likes it or buys it. Because if you use that criterion, Mozart would never have written Don Giovanni, Charlie Parker would have never played anything but swing music.

Bop is no love-child of jazz.

I realized by using the high notes of the chords as a melodic line, and by the right harmonic progression, I could play what I heard inside me. That's when I was born.

Some guys said 'Here's bop!' Wham! They said, 'Here's something we can make money on!' Wham! 'Here's a comedian!' Wham! Here's a guy who talks funny talk!'

It's just music. It's trying to play clean and looking for the pretty notes. The beat in a bop band is with the music, against it, behind it. It pushes it. It helps it. Help is the big thing. It has no continuity of beat, no steady chug-chug. Jazz has, and that's why bop is more flexible.